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清代香炉(精品清中期霁蓝釉绳纽耳香炉鉴赏)

日期:2022-09-22 15:32:55作者:佚名人气:+

清代香炉(精品清中期霁蓝釉绳纽耳香炉鉴赏) 清代香炉(精品清中期霁蓝釉绳纽耳香炉鉴赏)(图1)

清代香炉(精品清中期霁蓝釉绳纽耳香炉鉴赏)(图2)

清代香炉(精品清中期霁蓝釉绳纽耳香炉鉴赏)(图3)

霁蓝釉的来历:瓷器釉色名。中国传统制瓷工艺的珍品。又称“积蓝釉”、“祭蓝釉”、“霁青釉”。明、清蓝釉习称“霁蓝”,一种高温石灰碱釉。其生坯施釉,1280~1300℃高温下一次烧成。色泽深沉,釉面不流不裂,色调浓淡均匀,呈色较稳定。其釉色蓝如深海,釉面匀净,呈色稳定,后人称其为“霁青”,又因其呈色稳定明亮如宝石,又被举为把它和白釉和红釉并列,推为宣德颜色釉瓷器的三大“上品”。工艺继承元代传统,延烧不断,主要造型为祭器和陈设用瓷。

霁蓝釉香炉特征:此香炉是一个流传多年,第一眼看上去一眼老、非常开门。 其次,这个器形一眼看去周正规整,釉色纯正,施釉均匀,炉口沿圆,俗称灯芯口,特征比较明显。再看底足,清代香炉器一般足底不施釉,露胎,胎质致密,有明显的旋削痕。修足规整,干净利落,可见做工比较精细,反映了清代时期制作严谨的风格。

最后,再看看釉色的厚薄。施釉厚薄适中,器形弯曲处没有明显积釉,底足没有流釉现象,香炉腹部外鼓,形状偏于矮墩圆扁,这亦是早期器的主要特点。香炉表面有一层岁月侵蚀的包浆,使用痕迹明显,具备真品特征,尤为可贵的是霁蓝釉,这种釉色比较稀见,因此,更显珍贵,具有极高的收藏价值,值得收藏!

Ji blue glaze origin: porcelain glaze name. Treasures of Chinese traditional porcelain making technology. Also known as "blue glaze", "offering blue glaze", "ji qing glaze". Ming and qing blue glaze known as "Ji Blue", a high temperature calcareous alkaline glaze. The green body glaze, 1280 ~ 1300℃ high temperature next firing. The color and lustre is deep, glaze does not flow does not crack, tonal shade is uniform, the color is more stable. Its glaze blue such as deep sea, glaze uniform, color stability, after known as "Ji Green", and because of its color stability and bright as gems, and was held to put it and white glaze and red glaze parallel, pushed as xuande color glaze porcelain three "top grade". The craft inherits the tradition of yuan Dynasty and continues to burn. The main shape is porcelain for sacrificial vessels and display.

Ji blue glaze incense burner features: this incense burner is a spread for many years, at first glance look old, very open. Secondly, the shape of a look at zhou is regular, pure glaze color, uniform glaze, furnace along the round, commonly known as the wick mouth, more obvious characteristics. In the qing Dynasty, censers generally do not apply glaze on the sole of the foot, exposing the fetus, and the fetal quality is dense, with obvious turning marks. Repair foot neat, clean, visible fine workmanship, reflecting the qing dynasty production rigorous style.

Finally, look at the thickness of the glaze. Moderate glaze thickness, no obvious glaze accumulation at the bend of the shape, no glaze flow phenomenon at the bottom foot, the belly of the censer is bulging, and the shape of the censer tends to be low pier round and flat, which are also the main characteristics of the early ware. The surface of the censer has a layer of coating slurry eroded by years, with obvious traces of use, with genuine characteristics, especially valuable is the blue glaze, this glaze color is rare, therefore, more precious, has a high collection value, worth collecting!

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